OPUS: Echo of Starsong – The Beauty Continues

OPUS: Echo of Starsong is a narrative sci-fi drama taking place in the far reaches of lawless space. The game is part of a series that are all part of the OPUS universe. I covered the previous two OPUS games in the series last year, and they were very popular, accounting for a ton of traffic on my site! I also thoroughly enjoyed them. So, when I started off today learning that I would have an opportunity to cover the third OPUS game in the series, OPUS Echo of Starsong, which was just released on September 1st, I was super excited! This series has so much to offer in interpersonal character development, art design, and dramatic storytelling. It is no wonder fans love OPUS. So let’s get started.

SIGONO provided me with a copy of this new game to cover this since I talked about them last year. Thank you so much!!!

Here are links to reviews of the first two games:
OPUS The Day We Found Earth
OPUS Rocket of Whispers

Getting Started in OPUS Echo of Starsong

OPUS Echo of Starsong absolutely massive compared to the previous two games. I’m mostly here to tell you how it is and not how it ends. I’ll include a trailer from SIGONO and also my YouTube video of some gameplay of the first asteroid. Otherwise today we’re taking a look at approximately the first chapter or so. The massiveness is also excellent. I think a lot of gamers really want to be immersed in the space exploration aspect of these games, but you can play however you like!

The OPUS series all takes place in the same game universe, with totally new storylines, new characters, and settings. The Day We Found Earth is about a robot and a hologram drifting through space with a heartbreaking twist. Rocket of Whispers is about two characters building a rocket in an abandoned world to send spirits to their destiny. Echo of Starsong, this game, is about Eda and Jun heading into the reaches of space to solve an ancient myth.

OPUS Echo of Starsong Eda

Gameplay in OPUS Echo or Starsong

I think they went in an interesting direction by fleshing it out as more of a space RPG. The beginning even seems to have some trader game elements–intriguing. Combat has always been of less importance compared to the character-driven stories in OPUS, but there’s a little more story-driven combat here than I expected. Interactive cutscenes feature an elder gentleman exploring an asteroid with his cane early on in the story but also appearing later. It really wouldn’t even be an OPUS game without flashbacks and flashforwards for context and intrigue. It always feels like the tip of the iceberg when you learn something about the worlds within this universe. That is ultimately one of the most compelling things for me in these games.

Aside from those aspects, another familiar one is puzzle solving. Apparently, an aetherial glowing substance, known as “lumens,” is what drives the economy and ultimately the story. I have to be honest, I don’t totally know what the story being uncovered is–but why would you want me to tell you that–but also the familiar themes of “witches,” basically psychic attendants to the traditions of OPUS, are capable of interacting with and manipulating lumens through the tradition of starsong, magic singing basically.

OPUS Echo of Starsong Capybera


  • Seeing is believing – A distinct blend of hand-drawn illustrations and low-poly art lend an eerie beauty to a war-torn, lawless galaxy.
  • Starstruck heroes – Follow protagonists Jun and Eda as they explore forgotten corners of the galaxy and unravel the truth behind an ancient myth.
  • Space Opera -Thoughtful sound design and beautifully composed music weaves into the story of the mysterious ‘Starsong’.
  • Stronger Together – Use Eda’s voice to locate the elusive asteroid temples, and then disembark as Jun to explore and solve the puzzles within.
  • Motley crew – Meet a diverse cast of enemies and allies on the journey, each with a backstory tied to the troubled history of the solar system.
  • Don’t lose your way – Manage the ship’s resources and upgrade it as you chart a path through the stars, crossing into unknown and dangerous territory.

Art From The Heart

The design of OPUS Echo of Starsong is very pleasant to look at. It’s not exactly conventional anime, though you could probably say it is. It runs the gambit of heavy detail visual novel art with hard edges and flat graphic platforms, with strong traditional anime tones! It’s also totally different than anything else. I think a lot of people play it initially based on the amazing screenshots and trailers of the beautiful graphics. The stories are epic too, but the art makes it happen.

OPUS Echo of Starsong Old Jun

The user interface for navigating space or interacting with the environment struck me so curiously too. Anybody could figure it out, but the ambiguity is enough to provide creative choice-making. You can kind of do whatever you want in what order, to an extent. The opening scene with the elder gentleman traversing with his cane was really in the realm of fine art. It wasn’t comical or diminutive, it was attentive to the detail of the cast of motions and images of the human body. And actually, now that I think of it, the OPUS series is definitely a tribute to the human body, being a common theme in the design.

Final Thoughts

These games are just absolutely great. If you get a chance to check them out, start anywhere and enjoy. The OPUS series is a gift to the world, who might otherwise see another story like it in their lifetime. And for an epic adventure, have faith in your procurement of some gameplay in OPUS Echo of Starsong.

Thank you for reading Mr. Dave Pizza. Be sure to look around and come back again!

OPUS Rocket of Whispers – This Is So Intelligent

Mysterious backstory, cosmic balance, ancestral duty. Stop me if you’ve heard this one before. Heavy topics, yes, but not to worry. This game is poetry, and these types of themes are in the prequel OPUS: The Day We Found Earth. It seems that there is even a theme in common between that game and OPUS Rocket of Whispers, but I am hesitant to say, conclusively, what it is.

I’ll give you a quick background on this game. It takes place somewhere that may be Earth or possibly a blue equivalent. You play two characters. Alternating as the story sees fit, John, a survivalist rocket part scavenger, and Fei, the rocket constructing witch and emotional support to John.

The title “witch” is not thrown around loosely like a support class, this is a title given to the shamanistic mystics that play a super important part in the story. Most of it is clear in the first 5 minutes, but it is thematically complex. Also, it has occurred to me that this is not really a game for all audiences. Some of the themes, although not rude, are a bit mature like John’s background. If you’re cool with that, then read on.

Genius Loci


Genius Loci, which means spirit of place in Latin. Fei and John’s world has a thick heavy fog of spirits and spirits who inhabit it. This is crucial to understanding the game. While making a rocket sounds like a nice escape scenario for a barren world, it’s actually project of Fei and John’s attempt to honor the tradition of their fallen civilization. This is a ritual known as “Space Burial.” It’s a rather sweet sentiment for a game story that’s given a courteous comfort zone. This doesn’t surprise me given my experiences with The Day We Found Earth. What I mean by that, of course, is that there are equal amounts of gameplay juxtaposed with backstory and the current plot–not just one long cutscene.

“Space Burial” is something spirits of these planets have had for decades. Because of the state of things, spirit inhabitants scatter throughout the land waiting for their passage into the cosmos via a rocket. Something which is the domain of “witches” from the “Church of Earthology” before the plague.

Spring Ahead in OPUS Rocket of Whispers

Here, 25 years into the future, these two characters face odd obstacles of mathematical equations, part acquirement, and John’s terribly debilitating condition of being able to hear the cries of spirits. It’s not really creepy or anything. John’s disposition is a bit troubled, but it lifts at times. I played this game for quite a bit and I did not encounter anything too disturbing. Warning though, some of the background story in OPUS Rocket of Whispers covered by the cut scenes is rather emotional.

OPUS Rocket of Whispers

John was a happy-go-lucky kid that now has to deal with a troubled past. He’s actually rather pleased when he’s not in grief though, even towards the beginning. Fei chides him for his cynicism though and the two banter in a rather melancholic way.

Gameplay in OPUS Rocket of Whispers

OPUS Rocket of Whispers

Okay, that’s enough story outline. What’s the gameplay here? Well, most of it involves a combination of actual mechanical necessity and some of it involves misdirection or more story unveiling. You’ll wander through a pixel art top-down map of your outdoor surroundings and things hidden within the general vicinity of the rocket workshop. It’s a humble environment but aesthetically pleasing.

The game’s progress requires some puzzles for collecting objects. Fairly soon, the spirits guide you to collection areas like workshop roofs and blocked ritual areas. This makes things a lot easier and also engaging. I found the quest tasks like making metal cutters or boots a challenge to me in the right ways. The ability to go anywhere new becomes encouraging because most of the story is usually in relatively close quarters.

The Emotional Message

OPUS Rocket of Whispers has pretty good intentions. The free mobile version of the game ends in terms of length and content just about as long as The Day We Found Earth. If you purchase it, either on the console or after playing for free on mobile platforms, there are about 3 more hours of gameplay with the purchased version.

OPUS Rocket of Whispers

I recognize in Fei and John something I’ve seen in myself. A friendly, but necessary banter, something or somebody that keeps you strong knowingly even though it is a struggle. A nudge to stay alert. It’s a genuine survival method, although I’m not even sure that’s it either. Personally, I’m satisfied with that level of uncertainty.

There are certain themes in life that exist continuously in the human spirit. This game fills the void of purpose in a purposeless environment. First, it’s space, then it’s civilization, then it’s humanity. Or maybe the other way around. Each one is disintegrated and sometimes rebounds regularly to keep us strong. That’s my opinion anyway. You might recognize the concept.

For Posterity

I really was hesitant to try this game, because the first one was so good. I guess I wasn’t sure if it could be repeated. It made me feel something that I haven’t felt that often though. I recently paid a visit to the developer’s website, and I’m happy to inform you that they have announced the third game in the series to be released this year called OPUS: Echo of Starsong. It looks just as emotionally complex as its predecessors, and I eagerly anticipate the wait.

Also, one other thing. The soundtrack on this is amazing. It sets an ambiance that I felt in the first OPUS. Very instrumental and relaxed. It is listenable on Bandcamp at this link if you are searching for it.

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OPUS: The Day We Found Earth: Beautiful Robots

I think I recently made a comment that, as I get older, the more I make the heartbreaking conclusion that mankind will never explore the galaxy due to physics and entropy. What a bummer. What if we had explored it though? And what if we went so far that we couldn’t find our way back? That’s what’s going on in OPUS: The Day We Found Earth.

OPUS: Data Briefing

This game is now reaching 6 years old with a release date by SIGONO INC. back in 2015. As I write these, I keep finding games around that era that are absolutely incredible for some reason. Once again, the creators of my current topic here really created something beautiful, something ingenious

This type of story is not unfamiliar. If you think about stories like Battlestar Galactica you are probably very familiar with this idea. That idea is humanity is on a mission to find Earth again.

I’m not sure what it is, but there is something about this topic that people really love. Maybe something about survival? We’re all working on that task every day. I occasionally entertain the idea in my head of living star-bound in a life-spanning intergalactic vessel like Parzival in Ready Player One or Dave Lister in Red Dwarf.

I had to mention it because the hologram character, in physical presence at least, is a touch like Rimmer. Her personality and identity are completely different though. I’m glad because there is a lot more delicate sentiment here about genuine existentialism. (I love Red Dwarf though.)

OPUS: The Day We Found Earth

There’s More to OPUS, A Lot More

This is not quite that story though. OPUS: The Day We Found Earth is about robots! Actually a robot and an A.I. and their existential journey. Depending on your philosophical convictions about self-awareness or animism or spirit, there’s a lot to think about. Their names are Emeth and LISA. Emeth is a robot who has the task of finding Earth. LISA is an A.I. Hologram shared in the ship computer’s memory, that is a facsimile of Emeth’s trainer, a doctor named Lisa. There’s a large gap in the story though, as one moment you’re looking for Earth and the next you’re awakened as Emeth way into the future, long after the days of human involvement, and the story starts again there.

Let’s Try It Out

I wet my feet enough to learn that this game involves life as Emeth the robot, in a spaceship that’s been abandoned, which is actually a giant Earth-like-planet-finding telescope. You’re entrusted with finding Earth, quite the task. If it sounds daunting, it is at first, but then it becomes fun. You interact with your creator a bit and her partner and get to work.

I knew there was a story from the beginning, however, I did not realize that I would actually have to procedurally locate Earth by scrolling around the galactic sky. It’s kind of fun when you find an exo-planet (a term that I actually know about that means planet outside the galaxy.) A meter comes up and measures the components of these planets and you can even name them! I named one Pizzageuse as in the real star Betelgeuse, the tenth brightest star in our night sky… and pizza.

As you awake in the future, your creator’s, the doctor’s, hologram shows up as a companion and leader who has the same task and lightens the load a bit but mostly exists to drive the story. Zooming in on exo-planets with a space telescope is fun but there is more to this game. Not a huge amount else, the searching is important, but it is only an element in a “human” story, a pondering, about… robots.

OPUS: The Day We Found Earth
Emeth Robot
OPUS Gameplay
OPUS: The Day We Found Earth

I Love Robots

OPUS: The Day We Found Earth tugged on my heartstrings from the beginning. Even though it’s about robots, it really addresses some meaning-of-life-type themes. There is a metaphor for parenting, and I did a little research and it seems like the game might have an appropriate but very emotional ending. I like to have a little philosophy mixed in with my sci-fi, so maybe you do too.

The game won’t last very long, maybe a couple of hours. You’ll be able to grab it for under $5 most likely, it was $1.99 on eShop. There is absolutely nothing inappropriate about this game, but you should be ready to be hit with some serious topics packaged in this neat indie game.

If you want to play a game that’s as beautiful as Kurt Vonnegut novel but compatible with a mature but empathic film, this is it. This is Wall-E for grownups. And you’ll probably complete it in a couple of hours. Good luck. Robots are beautiful.


P.S. There is a sequel to this game called Rocket Of Whispers, which is an award-winning game as well. Here is my link to my review of that game! I’m glad I discovered this game’s existence, it is a game with incredible sophistication and so much integrity!

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